The Caged Virgin: An Emancipation Proclamation for Women and Islam by Ayaan Hirsi Ali
MY RATING: 3/5 Stars
FTC NOTICE: Library Book
RELATED MOVIE(S): Submission: Part I (2004) (TV Short) (No Trailer Available)
REVIEW: The moment I started reading Ayaan Hirsi Ali’s, “ The Caged Virgin: An Emancipation Proclamation for Women and Islam,” I realized that I missed her style of writing, having previously read “Nomad–From from Islam to America: A Personal Journey Through the Clash of Civilizations” and “Infidel.” The beginning of her book reflected an assertive manner without being offensive, a consistent characteristic offered in all three texts. This approach compelled the me to want to walk in-step with the author while she described her journey and goals. These items included, but were not limited to, the following:
Description of her credentials;
Definition of Muslim absolutism;
Contrasting of Islamic fundamentalist ideology to the Western paradigm;
Depiction of gender-based abuse of women;
Caution to countries to be watchful of fundamentalism;
Summarizing legal, regulatory, and operational barriers to reform;
Advising how martyrdom became established;
Utilization of sociocultural visual models;
Referring to examples by germane experts;
Creation of a valuable list to escape domestic abuse; and,
Elaboration of her film.
Ayaan Hirsi Ali performed her goals without making the reader of previous books feel as though the author was simply doing an inexpensive re-write. The examples, visuals and references the writer provided were solid and easy to understand. A case in point was that I did not remember learning about the sociocultural triangular models prior to reading this book, and I found myself wanting to learn more about them. It caused me to add such books to my reading list.
However, with the author’s goals accomplished and the reader wanting to learn more, one must wonder why this book earned only three stars in lieu of four or five of them? I found the “Part One,” scene-by-scene description of the author’s film, “Submission” to be redundant and unnecessary. It treated the reader as though he/she could not have understood what was already communicated (repeatedly) throughout the book. Progression through the chapter enabled me to graphically envision her scenes, which served as her goal; but it was as if I could not walk out of the movie theater. I was already too invested in (most of the way through) the book. This chapter came across as an over-the-top plug of self-promotion. If she wanted to promote her film, she could have increased the cost of her book and included a CD/DVD of the scene in a pocket/insert.
I had hoped that the chapters that followed the film scenes would enable the author to redeem herself. Unfortunately, such a thing did not occur. It did not destroy Ayaan Hirsi Ali’s message; it simply reduced how I valued this book. The author’s message is conveyed much better in her other books “Nomad” and “Infidel.” I highly recommend those texts.